Reading Willam Gaddis' posthumously published novel Agapē Agape is not an easy task. Whilst by far the slimmest of his works, coming in at a mere 94 pages, with large type (compared to the thousand page tomes he is better known for), the prose consists of a single paragraph, with little punctuation, forming a vehement diatribe against … Continue reading Agapē Agape and the Role of the Artist